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DEVIL’S ARTISAN #86, SPRING/SUMMER 2020

Bill Poole's uniquely transcendental approach to Henry David Thoreau's The Bean-Field

This issue includes Gordon Sisler's comparison of an early, and a late, edition of Henry David Thoreau's essay The Bean-Field as designed and printed by the late Bill Poole at the sign of the Umber Chicken (aka Poole Hall Press, Grimsby). Transcendentalism as applied to small-scale animal husbandry on the Niagara Escarpment. Librarian John Shoesmith interviews Rollin Milroy of Heavenly Monkey (Vancouver) and learns something of the influence of the various private presses Rollin most admires. Stephen Sword travels the country in pursuit of cylinder presses on display in Canadian museums and weighs the relative mechanics of Cranstons, Campbells and Whitlocks. And Greyweathers's Larry Thompson introduces the newly minted MacOdrum Library Book Arts Lab at Carleton University.

Also in this issue is the Rogues’ Gallery, featuring a profile of Deborah Barnett, and Richard Kegler’s discussion of Goudy Cloister Initials.

The front cover image is after an engraving by Brian Johnston that depicts Bill Poole's shop on the Escarpment above Grimsby. The keepsake presents a leaf from Francesca Lohmann's An Alphabetical Accumulation published by Heavenly Monkey, 2017.

Sewing frames and book presses flank a poster on the newly minted MacOdrum Library imprint, The Quad Press

Sewing frames and book presses flank a poster on the newly minted MacOdrum Library imprint, The Quad Press. Credit: Larry Thompson.

 

The Devil’s Artisan would like to acknowledge the generous financial support of the Canada Council for the Arts and the Ontario Arts Council.

DA 86
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In This Issue:

Bill Poole's Bean Field
by Gordon Sisler

The MacOdrum Library Book Arts Lab at Carleton
by Larry Thompson

An Interview with Heavenly Monkey's Rollin Milroy
by John Shoesmith

Cylinder Presses in Canadian Museums
by Stephen Sword

Goudy Cloister Initials
by Richard Kegler

A Rogues' Gallery: Deborah Barnett
by Don McLeod